Mozart | Requiem
{OH!} ORKIESTRA HISTORYCZNA
Musique
ARTIST IN RESIDENCE
{OH!} ORKIESTRA HISTORYCZNA
COLLEGIUM VOCALE 1704
MUSICAL DIRECTOR Andreas Staier
SOPRANO Johanna Winkel
ALTO Marie-Henriette Reinhold
TENOR Patrick Grahl
BASS Krešimir Stražanac
- MUSICIANS - CHOIR
MUSICIANS
Martyna Pastuszka (premier violon), Adam Pastuszka, Sulamita Ślubowska, Diego Castelli, Vida Bobin-Sokołowska, Izabela Kozak violins 1Małgorzata Malke, Paweł Stawarski, Violetta Szopa-Tomczyk, Aleksandra Radwańska, Dominika Małecka violins 2
Dymitr Olszewski, Natalia Reichert, Szymon Stochniol violas
Krzysztof Karpeta, Michal Stahel, Anna Cierpisz cellos
Benedict Ziervogel, Rafał Makarski double-bass
Lorenzo Coppola, Miriam Caldarini basset-horns
Tomasz Wesołowski, Kamila Marcinkowska-Prasad bassoons
Wim Becu, Robert Schlegl, Cameron Drayton trombones
Michał Tyrański, Emil Miszk trumpets
Francisco Manuel Anguas Rodriguez timpani
CHOIR
Dora Rubart-Pavlíková, Anna Zawisza, Aleksandra Turalska, Tereza Maličkayová, Petra Havránková, Markéta Szendiuchová soprano
Jan Mikušek, Kamila Mazalová, Marta Fadljevičová, Daniela Čermáková, Monika Jägerová alto
Čeněk Svoboda, Maciej Gocman, Krzysztof Mroziński, Ondřej Holub, Pavel Valenta tenor
Michał Dembiński, Martin Vacula, Tomáš Šelc, Martin Blaževič, Tadeáš Hoza bass
- PROGRAM
WOLFGANG AMADEUS MOZART (1756-1791)
Requiem en ré mineur KV. 626 (1791)
Introït
I Requiem
II KyrieSéquence
I Dies irae
II Tuba mirum
III Rex tremendae
IV Recordare
V Confutatis
VI LacrimosaOffertoire
I Domine Jesu
II HostiasSanctus
Benedictus
Agnus Dei
Communion
Lux aeterna
You know him as one of the most rigorous and poetic keyboardists of his time. This concert invites you to discover another facet in the art and manner of Andreas Staier : a concert that will bring to life a project dear to the artist for many years, to go beyond the works and repertoire for keyboard, to explore new areas of expression, new ways of making music. It is therefore with baton in hand that we find Andreas Staier for this Requiem by Mozart so eagerly awaited. This extraordinary score marks an absolute pinnacle in the history of sacred music, where the most rigorous art flows with such apparent simplicity, finding the most direct path to the heart. The ingenious composer maintains the faint spark of hope for a completely personal theology, a theophany where the music becomes the most complete repository and witness of human spirituality.
With the support of the Adam Mickiewicz Institute.
- October 2019
- Saturday 19 at 20:00